tifri experimental gismu

x1 is the audience/enjoying or partaking party of work/performance/program/entertainment/transmission/experience/story/presentation/act x2 (concrete or abstract), via means/mode/expressed in format/using senses x3; x1 watches/listens/reads/experiences x2.

All connotations about the judgment of the experience by x1 are neutral in this definition (despite the use of the "enjoy"). This word references a generalizing concept of x1 being an audience to some work or experience, such as magic acts (even if x1 participates somewhat), theatrical plays, ovations or audio presentation (radio, storytelling, etc.), seminary or presentation, television programs, books, discussions or media productions on the Internet, etc. The core concept is audiencehood, regardless of the work being enjoyed/experienced and its form. There are no connotations about how x2 is perceived by x1 (that is: which senses are used), nor how x2 is transmitted nor who or what allows x1 to experience it (that is: whether there is an agentive performer or just a piece of hardware that displays x2), nor of the nature of x2; the term is completely generic and general. See also tigni, jarco, lifri, skina, kinzga, tirna, zgana, cradi, tivni


In notes:

pru'uxfri
x1 is a reader/'ghost' to (experiencing or watching, but not being able to influence or interact with/in) events x2, able to experience/access world-internal/event-internal information x3 in addition to any external stimuli which they can directly perceive from the event itself (if they can perceive it), bringing with them their own event-external thoughts/memories/experience/habits which include x4, accessing this experience/event via means x5.